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Cue the hyperventilating, we have breaking Twilight news: "Rob's not pregnant!"

This with a laugh from Montreal actor Rachelle Lefevre, well aware of the absurdity -- and intensity -- of the rumours surrounding the vampire book-to-film franchise and its breakout star, Robert Pattinson, the angular heartthrob with the bed-head and British accent.

Lefevre, who plays vicious blood-sucker Victoria in the adaptations of Stephenie Meyer's bestsellers, was is in Toronto last month shooting a movie opposite Kevin Spacey.

But the topic of The Twilight Saga: New Moon is never far behind.

The Vancouver-shot sequel to last year's hit (worldwide gross: $382 million) opens Nov. 20, complicating the romance between star-crossed sex-abstainers vampire Edward Cullen (Pattinson) and mortal Bella Swan (Kristen Stewart) with new characters (Frost/Nixon's Michael Sheen and Dakota Fanning are introduced as members of the Volturi, an ancient vampire coven), a love triangle (created by returning Taylor Lautner as werewolf Jacob) and converging enemies.


At the centre of the pop-culture tsunami are Stewart and Pattinson, magazine cover mainstays whose real-life rapport (romance or no romance?) at times eclipses their fictional one.

"They have fantastic chemistry together on-screen and you know that's the kind of thing that becomes the source of rumours," Lefevre says.

"People want them to be together. People would love to hear that -- that they fell in love on the set and so they read that into everything they see.

"But all I've seen are two people who have beautiful chemistry on-screen and are bonded. Kristen, before Twilight, already had a huge resume and had worked with some heavy hitters, but she had also flown under the radar.

"And Rob, he was in Harry Potter (and the Goblet of Fire), so he had some experience with fame, but it was nothing remotely like this. So when two people go through that experience together -- the fandom and everything -- it's going to bond them."

Usually when a film succeeds, a studio clings to its creator. But in the case of New Moon, Catherine Hardwicke is out, replaced by Chris Weitz (The Golden Compass).

"It could have been bad," Lefevre admits. "But I think because Harry Potter went through it first to their benefit, we were like, 'The Potter kids went through a director shift and they were OK, so we'll be OK, too.'

"And we were. Chris came in with such a clear idea of what the movie was. And he paid respect to what had come before -- so it was kind of seamless."

A third transition will happen later this year in Vancouver when another director, David Slade (30 Days of Night), takes the reins of the next sequel Eclipse.

"It's perfect timing for David because Eclipse is darker than the other two. There's more action. It's not a horror movie, but it is darker."

And just as the series evolves, so does Lefevre's role as Victoria seeks to avenge the death of her lover, James.

"In the first movie, because I didn't have as much screen time, I wanted to be very clear. I wanted to convey energy and be very present, but also very playful. And that's because (Victoria) enjoyed stalking Bella with James.

"But when James is killed, it becomes about exacting revenge, which comes from a totally different place. It's not just a game any more."

Also beefed up -- literally and figuratively -- is Lautner. The 17-year-old actor, who played Jacob in Twilight, nearly lost the part because producers worried he was too young and skinny to embody the tougher, more mature Jacob of New Moon.

But Lautner "completely won that role," Lefevre says.

"The day Twilight wrapped, even before we knew there was going to be New Moon, Taylor started working out like an animal. He put on 30 pounds of muscle . . . I saw some of his dailies and he has a presence that, if you were to watch Twilight and New Moon back to back, he looks like he's aged five years."

Q: What was your favorite scene to shoot?
There were a lot of fun scenes to film frankly. I really did enjoy the sequence in the Volturi headquarters, although it’s a tremendous logistical headache. In a way, it’s the scenes that you dread the most because they are so time consuming and you have to get it just right which is like the stuff in the Volturi headquarters, that has to be my favorite sequence because it is kind of the high point of the movie when Bella goes to try and stop Edward from killing himself. We had 1,000 extras in this medieval town square in this little town in Tuscany in the most beautiful country on earth and it’s just an extraordinary opportunity to work there. It was also kind of surreal, because every ‘Twilight’ fan could make it from all over continental Europe and even further and had gotten by hook or by crook to Montepulciano, [Italy] and booked a hotel room. Sometimes in the very hotel room in which the cast and crew were staying. So, there was this weird Beatlemania thing sort of going on in this very small, beautiful hill town. So, for five days it was this bizarre festival atmosphere. And it really wasn’t bothersome at all. It was incredible gratifying that all these people would applaud after every take whether or not we’d screwed it up. They had no idea because they weren’t close enough to hear. If you looked down any alley in which the camera wasn’t pointing you’d see hundreds of these young girls who had come to touch a piece of what they really loved.